1 00:00:00,000 --> 00:00:05,156 [SILENCE] 2 00:00:05,156 --> 00:00:11,349 [HEAVY BREATHING] 3 00:00:11,349 --> 00:00:42,406 ? 4 00:00:42,406 --> 00:00:48,255 [DOOR OPEN] 5 00:00:48,255 --> 00:00:49,868 [SLIP OF THE TONGUE] 6 00:00:49,868 --> 00:00:51,030 [M¨¢RCIO] MOTHER? 7 00:00:54,399 --> 00:00:56,682 [STEPS] 8 00:00:59,324 --> 00:01:02,216 [DOOR OPEN] 9 00:01:02,216 --> 00:01:03,757 [STEPS] 10 00:01:03,757 --> 00:01:05,939 [DOOR OPEN] 11 00:01:05,939 --> 00:01:09,158 [STEPS] 12 00:01:09,158 --> 00:01:11,336 [DOOR CLOSE] 13 00:01:11,336 --> 00:01:12,359 [WOMAN] [MUFFLED VOICE] STOP CRYING. 14 00:01:12,359 --> 00:01:13,550 [CRY] 15 00:01:13,550 --> 00:01:16,278 [WOMAN] I CAN'T DO ANYTHING! I CAN'T DO ANYTHING. 16 00:01:16,278 --> 00:01:18,709 [TELEVISION IN THE BACKGROUND] 17 00:01:18,709 --> 00:01:21,111 [PRESENTATOR] 11:58 AM, GOOD MORNING... 18 00:01:21,111 --> 00:01:23,291 [DOG'S BARK] 19 00:01:23,291 --> 00:01:43,257 ? 20 00:01:43,257 --> 00:01:45,735 [CIBELE] YOU WAIT FOR ME HERE, WAIT HERE. 21 00:01:45,735 --> 00:01:51,833 ? 22 00:01:51,833 --> 00:01:58,668 [BELL] 23 00:01:58,668 --> 00:02:00,345 [S¨¦RGIO] WHO is it? 24 00:02:00,345 --> 00:02:03,617 [CIBELE] CIBELE, YOUR NEIGHBOR IN 301. 25 00:02:03,617 --> 00:02:11,469 ? 26 00:02:15,920 --> 00:02:17,514 [CIBELE] ¨¦ ALL I HAVE. 27 00:02:17,514 --> 00:02:25,176 [OBJECT HANDLING] 28 00:02:25,176 --> 00:02:31,618 [S¨¦RGIO] [SIGHS] DO YOU KNOW HOW TO USE IT? NEVER HANDLED A GUN? HMM. 29 00:02:31,618 --> 00:02:35,995 [GUN HANDLING] 30 00:02:35,995 --> 00:02:39,274 [S¨¦RGIO] THE BULLET GOES HERE. JUST PAY ATTENTION. 31 00:02:39,274 --> 00:02:42,605 NO... IT'S NOT DIFFICULT. YOU TRY. 32 00:02:45,586 --> 00:02:46,775 HERE. 33 00:02:46,775 --> 00:02:49,215 [GUN HANDLING] 34 00:02:49,215 --> 00:02:52,656 [S¨¦RGIO] HERE, PRESS. TAKE YOUR FINGER OFF THE TRIGGER, PRESS HERE, ¨®. 35 00:02:52,656 --> 00:02:53,807 DOWN, HERE. 36 00:02:53,807 --> 00:02:57,289 [GUN HANDLING] 37 00:02:57,289 --> 00:02:59,153 [S¨¦RGIO] PRESS HERE. [CIBELE] NO, I... AH... 38 00:02:59,153 --> 00:03:00,564 [S¨¦RGIO] THERE'S A CHILD AT HOME, RIGHT? 39 00:03:00,564 --> 00:03:01,846 [CIBELE] I HAVE. 40 00:03:01,846 --> 00:03:04,581 [S¨¦RGIO] THEN YOU BETTER KEEP IT DOWNLOADED, 41 00:03:04,581 --> 00:03:10,607 HIDDEN AND PUT AMMUNITION VERY CLOSE TO YOU, ALWAYS. 42 00:03:10,607 --> 00:03:18,936 ?TENSION MUSIC? 43 00:03:18,936 --> 00:03:20,764 [CIBELE] THANK YOU, LORD. 44 00:03:20,764 --> 00:03:26,141 ?TENSION MUSIC? 45 00:03:26,141 --> 00:03:27,507 [CIBELE] I WILL NOT TELL ANYONE. 46 00:03:27,507 --> 00:03:44,362 ?TENSION MUSIC? 47 00:03:44,362 --> 00:03:47,778 [DOOR CLOSE] 48 00:03:51,847 --> 00:04:02,226 [ELEVATOR AMBIANCE] 49 00:04:02,226 --> 00:04:03,711 [M¨¢RCIO] IS IT COMING, MOTHER? 50 00:04:03,711 --> 00:04:06,687 [CIBELE] T¨¢, THIRD FLOOR, NEAR. 51 00:04:06,687 --> 00:04:07,812 [AMANCIO] [ECHOED VOICE] ARE YOU ANXIOUS, MY SON? 52 00:04:07,812 --> 00:04:09,432 [M¨¢RCIO] YES. [AMANCIO] IT'S COMING. 53 00:04:09,432 --> 00:04:12,075 [CIBELE] I'M COMING... AND IT'S GOING TO OPEN THE DOOR IN... 54 00:04:12,075 --> 00:04:17,365 [AMANCIO] ZERO... ONE. I WON! I DECIDE THEN WHO WILL... 55 00:04:17,365 --> 00:04:19,101 WHO WILL OPEN ¨¦ YOU, MARCINHO. 56 00:04:19,101 --> 00:04:22,937 [CIBELE] MARCINHO'S NEW HOUSE, HUM. 57 00:04:22,937 --> 00:04:28,225 [M¨¢RCIO] FATHER! [LAUGHTER] GO! 58 00:04:28,225 --> 00:04:31,511 [AMANCIO] GO, MARCINHO! 59 00:04:31,511 --> 00:04:34,537 [M¨¢RCIO] ¨¦... WHAT NUMBER ¨¦? 60 00:04:34,537 --> 00:04:36,169 [AMANCIO] 300 E? 61 00:04:36,169 --> 00:04:37,226 [M¨¢RCIO] ONE! 62 00:04:37,226 --> 00:04:39,215 [AMANCIO] [EXTENDED] AH! 63 00:04:39,215 --> 00:04:44,274 ? 64 00:04:44,274 --> 00:04:46,082 ?NOW I WAS THE HER¨®I? 65 00:04:46,082 --> 00:04:47,318 ?AND MY HORSE? 66 00:04:47,318 --> 00:04:50,386 ?S¨® SPEAK ENGLISH? 67 00:04:50,386 --> 00:04:52,237 ?THE COWBOY BRIDE? 68 00:04:52,237 --> 00:04:54,881 ?WAS YOU BESIDES THE OTHER THREE? 69 00:04:54,881 --> 00:04:57,242 ? 70 00:04:57,242 --> 00:04:59,347 [CIBELE] I DON'T BELIEVE IT. 71 00:04:59,347 --> 00:05:02,900 [AMANCIO] CAN BELIEVE IT. TEN MORE YEARS AND THE PEOPLE QUIT. 72 00:05:02,900 --> 00:05:04,535 ?WAS I GUARDING MY BODOQUE? 73 00:05:04,535 --> 00:05:06,705 ?AND REHEARSED A ROCK? 74 00:05:06,705 --> 00:05:09,027 [M¨¢RCIO] MOM, NOW CAN I GO DOWN TO PLAY? 75 00:05:09,027 --> 00:05:11,194 ?NOW I WAS THE KING? 76 00:05:11,194 --> 00:05:13,825 ?HE WAS THE BEDEL AND HE WAS ALSO A JUDGE? 77 00:05:13,825 --> 00:05:17,691 [CIBELE] YOU CAN, MY SON. HERE YOU CAN GO IN THE SWIMMING POOL, 78 00:05:17,691 --> 00:05:23,131 ON THE COURT, RIDE A BICYCLE. 79 00:05:23,131 --> 00:05:26,649 HERE YOU CAN DO ANYTHING, SON. 80 00:05:26,649 --> 00:05:29,701 ?AND IT WAS TOO BEAUTIFUL TO ADMIRE? 81 00:05:29,701 --> 00:05:33,772 ?WHAT WALKED NAKED THROUGHOUT MY COUNTRY? 82 00:05:33,772 --> 00:05:35,457 ?COME, GIVE ME YOUR HAND? 83 00:05:35,457 --> 00:05:36,756 ?THE PEOPLE NOW? 84 00:05:36,756 --> 00:05:40,356 ?WAS NO LONGER AFRAID? 85 00:05:40,356 --> 00:05:42,292 ?IN THE TIME OF EVIL? 86 00:05:42,292 --> 00:05:43,361 ?I THINK PEOPLE? 87 00:05:43,361 --> 00:05:46,730 ?I HAD NOT BEEN BORN? 88 00:05:46,730 --> 00:06:06,472 ?TENSION MUSIC? 89 00:06:06,472 --> 00:06:09,877 [ROG¨¦RIO] [VOICE ECHOED] WHO DO YOU THINK YOU ARE TO DO 90 00:06:09,877 --> 00:06:14,384 THIS WITH HIM? HUH? T? TALKING TO YOU! 91 00:06:14,384 --> 00:06:17,758 [M¨¢RCIO] I DID NOTHING! THIS HAPPENS, IT'S FOOTBALL, GET IT? 92 00:06:17,758 --> 00:06:19,404 [SOUZA] YOU DID IT ON PURPOSE! 93 00:06:19,404 --> 00:06:23,053 [ROG¨¦RIO] [SCREAMING] WHO DO YOU THINK YOU ARE TO DO THIS 94 00:06:23,053 --> 00:06:25,444 WITH HIM? [SOUZA] GOES ON HIM. 95 00:06:25,444 --> 00:06:27,103 [M¨¢RCIO] STOP! 96 00:06:27,103 --> 00:06:28,618 [COUP IMPACT] 97 00:06:28,618 --> 00:06:30,049 [SPOKEN] 98 00:06:30,049 --> 00:06:45,594 ?TENSION MUSIC? 99 00:06:45,594 --> 00:06:47,914 [MAN] STOP IT, MAN, STOP IT! 100 00:06:47,914 --> 00:06:49,898 [SPOKEN] 101 00:06:49,898 --> 00:06:54,943 [SOUZA] PUT THE FOOT! Are you CRAZY? RUN, RUN, RUN, RUN! 102 00:06:54,943 --> 00:06:56,331 [SPOKEN] 103 00:06:56,331 --> 00:07:00,986 [JUCA] [DISTANT VOICE] AUNT! AUNT! AUNT CIBELE! 104 00:07:03,347 --> 00:07:06,048 AUNT CIBELE! 105 00:07:06,048 --> 00:07:07,207 [CIBELE] WHAT WAS IT? 106 00:07:07,207 --> 00:07:10,527 [JUCA] SO HITTING MARCINHO, L ¨ ¢ ON THE COURT. 107 00:07:10,527 --> 00:07:48,713 ?TENSION MUSIC? 108 00:07:48,713 --> 00:07:50,773 [M¨¢RCIO] OH! 109 00:07:50,773 --> 00:07:54,205 [ROG¨¦RIO] [SCREAM] 110 00:07:54,205 --> 00:07:56,671 [CIBELE] STOP! 111 00:07:56,671 --> 00:07:59,536 [M¨¢RCIO] [GEMIDO] 112 00:07:59,536 --> 00:08:06,319 [CIBELE] OH, NO, OH, NO. SON. ? MY SON. SON, LOOK 113 00:08:06,319 --> 00:08:09,256 FOR ME. TALK TO ME, SON. LOOK WHAT YOU DID! 114 00:08:09,256 --> 00:08:10,398 [ROG¨¦RIO] HE WAS THE ONE WHO STARTED IT! 115 00:08:10,398 --> 00:08:11,524 [CIBELE] WHAT ARE YOU LOOKING AT? 116 00:08:11,524 --> 00:08:13,285 FOR THE LOVE OF GOD, CALL AN AMBULANCE! 117 00:08:13,285 --> 00:08:14,291 [MILA] WHAT DID YOU DO, ROG¨¦RIO? 118 00:08:14,291 --> 00:08:15,338 [SOUZA] HE WAS DEFENDING ME. 119 00:08:15,338 --> 00:08:16,393 [MILA] I DON'T HAVE TALKING TO YOU! 120 00:08:16,393 --> 00:08:19,354 ?TENSION MUSIC? 121 00:08:19,354 --> 00:08:21,805 [CIBELE] SON. SPEAK TO ME, MY SON, SPEAK. 122 00:08:21,805 --> 00:08:23,125 [MILA] I'LL TAKE YOU TO THE HOSPITAL. 123 00:08:23,125 --> 00:08:25,226 [CIBELE] THEY DON'T GO TO THE HOSPITAL, THEY GO TO THE POLICE. 124 00:08:25,226 --> 00:08:27,258 [MILA] FOR THE LOVE OF GOD, I AM A MOTHER, 125 00:08:27,258 --> 00:08:28,322 FORGIVE MY SON, PLEASE. 126 00:08:28,322 --> 00:08:30,111 [CIBELE] GET THAT MONSTER OUT OF HERE! 127 00:08:30,111 --> 00:08:31,812 [MILA] I'LL CALL YOUR FATHER. ¨¦ HIM, ¨¦ WITH HIM 128 00:08:31,812 --> 00:08:32,860 WHAT YOU WILL TALK ABOUT. [L¨²CIA] WHAT IS THAT? 129 00:08:32,860 --> 00:08:34,264 [MILA] WALK! 130 00:08:34,264 --> 00:08:36,947 [L¨²CIA] WHAT IS THIS? WHAT'S GOING ON HERE? 131 00:08:36,947 --> 00:08:43,294 HUH? I WILL CLAIM THIS COURT! 132 00:08:43,294 --> 00:08:44,446 ?TENSION MUSIC? 133 00:08:44,446 --> 00:08:45,692 [L¨²CIA] MAY CLOSE. 134 00:08:45,692 --> 00:08:49,506 [CIBELE] [SCREAMING] HELP! 135 00:08:49,506 --> 00:08:52,549 [EXTENDED] HELP! 136 00:08:52,549 --> 00:08:59,528 [CRY] 137 00:08:59,528 --> 00:09:03,683 ?TENSION MUSIC? 138 00:09:03,683 --> 00:09:06,122 [MILA] POLICE, ROG¨¦RIO? 139 00:09:06,122 --> 00:09:09,230 POLICE STATION. DID YOU HEAR WHAT SHE SAID? IS THAT WHAT YOU WANT? 140 00:09:09,230 --> 00:09:11,673 [ROG¨¦RIO] HE WAS THE ONE WHO STARTED IT! HE GOT A BALL IN THE FACE 141 00:09:11,673 --> 00:09:12,981 SOUZA. [MILA] AND THIS ¨¦ REASON FOR YOU 142 00:09:12,981 --> 00:09:14,061 HIT THE BOY LIKE THAT? 143 00:09:14,061 --> 00:09:15,188 [ROG¨¦RIO] HE DID IT ON PURPOSE! 144 00:09:15,188 --> 00:09:17,400 [MILA] DOWN YOUR BALL! 145 00:09:17,400 --> 00:09:22,054 DOWN YOUR BALL, ROG¨¦RIO! AND PRAY, PRAY THAT NOTHING HAPPENED 146 00:09:22,054 --> 00:09:28,166 SERIOUSLY WITH THAT BOY. 147 00:09:28,166 --> 00:09:31,546 [OBJECT HANDLING] 148 00:09:31,546 --> 00:09:47,996 [SHOTS] 149 00:09:47,996 --> 00:09:52,057 [WANDO] LOVE, I DIDN'T TELL YOU I DON'T CALL 150 00:09:52,057 --> 00:09:56,158 FOR ME HERE, WHEN I'M AT WORK? TURN THE KEY, 151 00:09:56,158 --> 00:10:00,566 TAKE A LOOK. YOU CAN SEE, THE ENGINE DOESN'T WRINKLE. STAY ¨¤ WILL, 152 00:10:00,566 --> 00:10:05,109 TURN ON EVERYTHING, SEE THE PANEL. HEY. POLICE STATION? 153 00:10:05,109 --> 00:10:07,083 [MAN] WANDO, GIVE ME AN INFORMATION HERE. 154 00:10:07,083 --> 00:10:10,326 [WANDO] NO... BUT MILA, WHICH STATION? DON'T PIRA, MILA. 155 00:10:10,326 --> 00:10:11,370 [MAN] WANDO! 156 00:10:11,370 --> 00:10:13,779 [WANDO] BUT... MILA, NO ONE WILL GIVE A PART BECAUSE OF A 157 00:10:13,779 --> 00:10:18,405 THINGS LIKE THAT, NOBODY. FOR A BULLSHIT LIKE THAT. I? COMMON 158 00:10:18,405 --> 00:10:21,647 CUSTOMER NOW, I CAN'T GIVE YOU ATTENTION. LET'S CLOSE? 159 00:10:23,028 --> 00:10:26,509 I DELIVER WITH IPVA, I DELIVER WITH... PLACED, CARPET, 160 00:10:26,509 --> 00:10:29,764 ALL, NEXT WEEK. AND IN THIS COLOR, FOR YOU. 161 00:10:29,764 --> 00:10:31,619 [MAN] AH, I'M GOING TO CALCULATE A ¨ª, FROM... 162 00:10:31,619 --> 00:10:32,845 ANYTHING I'LL COME BACK, OK? 163 00:10:32,845 --> 00:10:35,527 [WANDO] WILL CALCULATE AND COME BACK? C¨º DON'T YOU PREFER TO TAKE IT? 164 00:10:35,527 --> 00:10:37,571 PROMOTION IS GOING TO END, HEIN? [MAN] NO, THANKS, THANKS. 165 00:10:37,571 --> 00:10:40,739 [WANDO] OK. GOT MY CARD? 166 00:10:40,739 --> 00:10:42,650 [CONCESSIONAIRE AMBIENCE] 167 00:10:42,650 --> 00:10:45,144 [WANDO] SEE YOU, MILA? I LOST A SALES HERE, A CUSTOMER, 168 00:10:45,144 --> 00:10:47,410 BECAUSE OF A FANIQUITO OF YOURS. THAT WAY DON'T GIVE, 169 00:10:47,410 --> 00:10:49,755 I ALREADY TOLD YOU NOT TO CALL HIM AT ALL. 170 00:10:49,755 --> 00:10:50,902 [RICARDO] HAVE A MINUTE? 171 00:10:50,902 --> 00:10:53,352 [WANDO] MY BOSS IS CALLING ME, I'M GOING UP. 172 00:10:53,352 --> 00:10:54,826 [STEPS] 173 00:10:54,826 --> 00:10:57,284 [WANDO] Speak, RICARDO. [RICARDO] And A¨ª, WANDO? 174 00:10:57,284 --> 00:11:00,038 [STEPS] 175 00:11:00,038 --> 00:11:03,557 [PHONE RING] 176 00:11:03,557 --> 00:11:13,158 [STEPS] 177 00:11:15,037 --> 00:11:16,729 [RICARDO] SITS A¨ª. 178 00:11:22,073 --> 00:11:26,334 [WANDO] [SIGH] 179 00:11:26,334 --> 00:11:30,638 [SILENCE] 180 00:11:30,638 --> 00:11:34,365 [RICARDO] WANDO, I WANTED TO THANK YOU 181 00:11:34,365 --> 00:11:38,201 FOR ALL THESE YEARS OF DEDICATION HERE AT THE COMPANY. 182 00:11:40,536 --> 00:11:42,413 BUT UNFORTUNATELY I WILL HAVE TO TURN YOU OFF. 183 00:11:42,413 --> 00:11:45,921 [WANDO] NO, P?, BUT... NO. 184 00:11:45,921 --> 00:11:49,132 ?TENSION MUSIC? 185 00:11:49,132 --> 00:11:50,751 [RICARDO] YOU ARE DISMISSED. 186 00:11:50,751 --> 00:11:58,300 ?TENSION MUSIC? 187 00:11:58,300 --> 00:11:59,553 [CIBELE] ARE YOU SURE, DOCTOR? 188 00:11:59,553 --> 00:12:02,143 [DOCTOR] I HAVE. INCLUSIVE, HE WILL COME BACK HOME TODAY 189 00:12:02,143 --> 00:12:04,775 AND I ASK YOU TO LOOK AT HIM, TO KNOW IF HE WILL HAVE 190 00:12:04,775 --> 00:12:06,480 ANY HEADACHES... [CIBELE] C¨º HEARD... 191 00:12:06,480 --> 00:12:08,022 [DOCTOR] YOU HAVE TO WATCH THIS. 192 00:12:08,022 --> 00:12:10,259 [CIBELE]? MY SON! 193 00:12:10,259 --> 00:12:12,185 [AMANCIO] SON, C¨º Are you OK? 194 00:12:12,185 --> 00:12:15,821 [CIBELE] MY LOVE, AND A ¨ª, IS EVERYTHING REALLY OK? ALL GOOD? 195 00:12:15,821 --> 00:12:18,377 [AMANCIO] MY GOD IN HEAVEN, WHAT A SCARED I GOT, MY SON. 196 00:12:18,377 --> 00:12:20,262 [CIBELE] WHAT WORLD IS THIS, MY GOD? WHAT WORLD IS THIS? 197 00:12:20,262 --> 00:12:26,105 [SIREN] 198 00:12:26,105 --> 00:12:28,522 [CIBELE] COULD YOU EAT RIGHT? 199 00:12:28,522 --> 00:12:30,311 [M¨¢RCIO] YES. 200 00:12:30,311 --> 00:12:31,848 [CIBELE] DON'T DO¨ª, NO, DO¨ª? 201 00:12:31,848 --> 00:12:33,710 [SIREN] 202 00:12:33,710 --> 00:12:34,920 [M¨¢RCIO] IT'S BETTER. 203 00:12:34,920 --> 00:12:37,417 [URBAN ENVIRONMENT] 204 00:12:37,417 --> 00:12:39,549 [CIBELE] PEOPLE HAVE TO PART. 205 00:12:39,549 --> 00:12:41,432 [URBAN ENVIRONMENT] 206 00:12:41,432 --> 00:12:42,670 [AMANCIO] ON WHAT PART? 207 00:12:42,670 --> 00:12:44,526 [CIBELE] BUT HOW "DE QU¨º"? YOUR SON HAS BEEN MURDERED. 208 00:12:44,526 --> 00:12:48,548 [AMANCIO] CIBELE, I WILL NOT DENOUNCE A TEENAGER. 209 00:12:48,548 --> 00:12:52,673 [URBAN ENVIRONMENT] 210 00:12:52,673 --> 00:12:54,641 [AMANCIO] DO YOU KNOW THE BOY? 211 00:12:54,641 --> 00:12:57,901 [CIBELE] A VANDAL FROM BLOCK ONE. 212 00:12:57,901 --> 00:12:59,423 [AMANCIO] ¨¦ A KID'S FIGHT, THEN IT PASSES. 213 00:12:59,423 --> 00:13:02,238 [CIBELE] HOW DOES IT "PASS"? SO, IT'S RIGHT FOR YOU 214 00:13:02,238 --> 00:13:03,242 DO NOTHING, IS IT? 215 00:13:03,242 --> 00:13:05,775 [AMANCIO] CIBELE, PLEASE. [MUXOXO] 216 00:13:05,775 --> 00:13:07,826 ?DRAMATIC MUSIC? 217 00:13:07,826 --> 00:13:09,364 [AMANCIO] FOR THE LOVE OF GOD. 218 00:13:09,364 --> 00:13:29,565 ?DRAMATIC MUSIC? 219 00:13:29,565 --> 00:13:33,314 [SHOTS] 220 00:13:33,314 --> 00:13:37,629 ?DRAMATIC MUSIC? 221 00:13:37,629 --> 00:13:44,489 [TELEVISION IN THE BACKGROUND] 222 00:13:44,489 --> 00:13:46,073 ?DRAMATIC MUSIC? 223 00:13:46,073 --> 00:13:48,748 [MILA] [SIGHS] 224 00:13:48,748 --> 00:13:53,021 ?DRAMATIC MUSIC? 225 00:13:53,021 --> 00:13:55,983 [MILA] [SIGHS] 226 00:13:55,983 --> 00:14:04,333 ?DRAMATIC MUSIC? 227 00:14:04,333 --> 00:14:06,818 [FABRIC RUSTLING] 228 00:14:06,818 --> 00:14:08,370 [WANDO] [SIGH] 229 00:14:09,730 --> 00:14:11,175 [SNIFFLE] 230 00:14:13,520 --> 00:14:15,333 [SIGH] 231 00:14:15,333 --> 00:14:17,630 [STEPS] 232 00:14:17,630 --> 00:14:18,884 [LIGHT SWITCH] 233 00:14:18,884 --> 00:14:20,916 [WANDO] [SNUNCH] 234 00:14:20,916 --> 00:14:23,439 [STEPS] 235 00:14:23,439 --> 00:14:43,093 [SHOWER ON] 236 00:14:43,093 --> 00:15:15,300 ?DRAMATIC MUSIC? 237 00:15:15,300 --> 00:15:17,070 [KNOCKING ON THE DOOR] 238 00:15:17,070 --> 00:15:18,846 [MILA] WANDO? 239 00:15:18,846 --> 00:15:20,258 [WANDO] HI? 240 00:15:20,258 --> 00:15:22,876 [MILA] ROG¨¦RIO HAS TO APOLOGIZE TO THIS BOY. 241 00:15:22,876 --> 00:15:24,668 BY THE WAY, FOR THIS BOY AND HIS MOTHER! 242 00:15:24,668 --> 00:15:27,156 [WANDO] APOLOGIZE FOR WHAT? ROG¨¦RIO IS NOT GOING TO CHANGE, MILA. 243 00:15:28,261 --> 00:15:31,634 [MILA] HUM. IF YOU DO NOT DO ANYTHING, 244 00:15:31,634 --> 00:15:33,720 REALLY IT WILL NOT CHANGE AT ALL. 245 00:15:33,720 --> 00:15:35,752 [WANDO] U¨¦, IT'S NOT ENOUGH FOR ME TO WORK ALL DAY 246 00:15:35,752 --> 00:15:37,425 TO PUT MONEY INSIDE THE HOUSE? 247 00:15:37,425 --> 00:15:39,892 NOW DO YOU HAVE TO RESOLVE A SON'S FIGHT? 248 00:15:39,892 --> 00:15:41,406 [MILA] DON'T I WORK? ¨¦ THIS? 249 00:15:41,406 --> 00:15:43,340 I STAY HERE, I MAKE FOOD, I DO THE CLOTHES, 250 00:15:43,340 --> 00:15:44,507 I GO TO SCHOOL TO LISTEN 251 00:15:44,507 --> 00:15:45,508 PROFESSOR... OH! [WANDO] OK, OK. 252 00:15:45,508 --> 00:15:46,578 BUT, CALM. [MILA] NO, WANDO. 253 00:15:46,578 --> 00:15:48,496 YOU KNOW, T? TIRED. 254 00:15:51,362 --> 00:15:53,558 HE IS THE SON OF US TWO. 255 00:15:53,558 --> 00:15:58,020 [WANDO] [Sigh] MILA, CAN YOU SPARE ME TODAY? 256 00:15:58,020 --> 00:16:00,893 S¨® TODAY. I'VE HAD A HARD DAY AS FUCKING GO. 257 00:16:00,893 --> 00:16:05,558 [MILA] [Sigh] MY DAY WAS AWFUL TOO. 258 00:16:05,558 --> 00:16:08,334 ROG¨¦RIO DOESN'T LISTEN TO ME ANYMORE, HE DOESN'T OBEY ME. 259 00:16:11,000 --> 00:16:13,610 YOU KNOW, HE NEEDS TO LEARN THAT IT'S NOT BEATING PEOPLE 260 00:16:13,610 --> 00:16:14,839 THAT HE WILL ACHIEVE THINGS. 261 00:16:14,839 --> 00:16:21,150 [SILENCE] 262 00:16:21,150 --> 00:16:22,734 [MILA] TEACH THIS BOY HOW TO BE A KIND. 263 00:16:22,734 --> 00:16:27,367 [SILENCE] 264 00:16:27,367 --> 00:16:30,155 [WANDO] OK, MILA, I'M GOING THERE. IS THAT WHAT YOU WANT? 265 00:16:30,155 --> 00:16:31,496 [MILA] ¨¦, ¨¦ THIS IS WHAT I WANT... 266 00:16:31,496 --> 00:16:34,281 [WANDO] OK. T? GOING. READY. 267 00:16:34,281 --> 00:16:37,541 BUT PLEASE DON'T FUCK ME AGAIN. 268 00:16:37,541 --> 00:16:39,900 [DOOR OPEN] 269 00:16:39,900 --> 00:16:40,964 [KNOCKING ON THE DOOR] 270 00:16:40,964 --> 00:16:42,954 [WANDO] ROG¨¦RIO. OPEN, SON. 271 00:16:42,954 --> 00:17:05,414 [TELEVISION IN THE BACKGROUND] 272 00:17:05,414 --> 00:17:06,751 [M¨¢RCIO] C¨º DON'T YOU GO TO THE POLICE? 273 00:17:06,751 --> 00:17:10,598 [TELEVISION IN THE BACKGROUND] 274 00:17:10,598 --> 00:17:11,964 [AMANCIO] LET'S TRY TO FORGET IT? 275 00:17:11,964 --> 00:17:16,281 [SILENCE] 276 00:17:16,281 --> 00:17:18,012 [M¨¢RCIO] THEY WILL COME AFTER ME, FATHER. 277 00:17:18,012 --> 00:17:22,911 [SILENCE] 278 00:17:22,911 --> 00:17:25,521 [AMANCIO] NO ONE WILL COME AFTER YOU. OK? 279 00:17:25,521 --> 00:17:31,481 [SILENCE] 280 00:17:31,481 --> 00:17:32,530 [KISS SLAP] 281 00:17:32,530 --> 00:17:40,046 [SILENCE] 282 00:17:40,046 --> 00:17:41,435 [AMANCIO] C¨º DIDN'T DO IT BY WANTING TO. 283 00:17:41,435 --> 00:17:46,600 [SILENCE] 284 00:17:46,600 --> 00:17:47,604 [AMANCIO] M¨¢RCIO? 285 00:17:49,000 --> 00:17:50,000 LOOK AT ME. 286 00:17:51,708 --> 00:17:52,710 LOOK AT ME. 287 00:17:55,699 --> 00:17:59,822 THE BALL ON SOUZA'S FACE, IT WAS AN ACCIDENT, ISN'T IT? 288 00:17:59,822 --> 00:18:02,939 [M¨¢RCIO] SOUZA ¨¦ A SCROT, FATHER! 289 00:18:02,939 --> 00:18:05,867 [AMANCIO] [SIGHS] 290 00:18:07,200 --> 00:18:08,200 [TELEVISION IN THE BACKGROUND] 291 00:18:08,200 --> 00:18:09,228 [CIBELE] And A¨ª? 292 00:18:09,228 --> 00:18:12,473 [TELEVISION IN THE BACKGROUND] 293 00:18:12,473 --> 00:18:13,491 [AMANCIO] H?? 294 00:18:13,491 --> 00:18:15,845 [CIBELE] HOW IS HE? 295 00:18:15,845 --> 00:18:19,048 [AMANCIO] HUM, NO, OK, OK. 296 00:18:19,048 --> 00:18:22,698 WE TALKED A LITTLE BIT, HE HAS NO FEVER, NO SICKNESS. 297 00:18:27,287 --> 00:18:29,331 [CIBELE] I'M GOING TO BE WITH HIM. 298 00:18:29,331 --> 00:18:33,254 [AMANCIO] NO, NO NEED, NO. YOU CAN FINISH WORK. 299 00:18:33,254 --> 00:18:38,927 [CIBELE] I CAN'T, I CAN'T, MY HEAD WON'T STOP. 300 00:18:38,927 --> 00:18:41,378 I STILL HAVE FIVE STATEMENTS TO DELIVER. 301 00:18:44,113 --> 00:18:46,000 [ROG¨¦RIO] BUT HE HACKED SOUZA IN THE FACE, RIGHT? 302 00:18:46,000 --> 00:18:47,000 [WANDO] AND DA¨ª? 303 00:18:47,000 --> 00:18:48,819 [ROG¨¦RIO] OH, SO WHAT DID HE DO THAT, BUT, NO HOW 304 00:18:48,819 --> 00:18:51,405 IF HE HAD NOT DONE ANYTHING. I'M NOT CRAZY ABOUT... 305 00:18:51,405 --> 00:18:52,405 [WANDO] HEY. 306 00:18:52,405 --> 00:18:58,846 [URBAN ENVIRONMENT] 307 00:18:58,846 --> 00:19:00,622 [WANDO] HIS PROBLEM, NOT YOURS. 308 00:19:04,010 --> 00:19:07,521 SON, YOU DON'T HAVE TO DEFEND ANYONE. 309 00:19:07,521 --> 00:19:09,459 DO YOU WANT TO HELP, GIVE IT AWAY, SEE IT? 310 00:19:09,459 --> 00:19:14,202 ? 311 00:19:14,202 --> 00:19:18,558 [WANDO] WHAT THE SHIT MUST BE LIVING IN THIS BACK BLOCK, N¨¦? 312 00:19:18,558 --> 00:19:22,100 ? 313 00:19:22,100 --> 00:19:24,627 [PHONE RING] 314 00:19:24,627 --> 00:19:25,652 [AMANCIO] AL?? 315 00:19:25,652 --> 00:19:28,879 ? 316 00:19:28,879 --> 00:19:30,678 [AMANCIO] THERE'S A "WANDO" UNDER THERE. 317 00:19:30,678 --> 00:19:32,724 [CIBELE] WANDO? 318 00:19:32,724 --> 00:19:34,731 [AMANCIO] HELLO, ¨¦... WANDO FROM WHERE? 319 00:19:34,731 --> 00:19:37,665 ? 320 00:19:37,665 --> 00:19:39,000 [AMANCIO] ¨¦ THE FATHER OF THE BOY FROM BLOCK ONE, 321 00:19:39,000 --> 00:19:40,251 HE WANTS TO GO UP. 322 00:19:40,251 --> 00:19:42,556 [CIBELE] WHY SHOW UP HERE? 323 00:19:42,556 --> 00:19:43,747 [AMANCIO] LET ME SPEAK TO HIM. 324 00:19:43,747 --> 00:19:48,192 ? 325 00:19:48,192 --> 00:19:49,335 [COUGH] 326 00:19:49,335 --> 00:19:57,493 ? 327 00:19:57,493 --> 00:20:01,014 [BELL] 328 00:20:01,014 --> 00:20:02,267 [DOOR OPEN] 329 00:20:02,267 --> 00:20:05,488 [WANDO] GOOD NIGHT. YOUR NAME? [AMANCIO] I AM THE AMANCIO. 330 00:20:05,488 --> 00:20:06,868 [WANDO] I AM THE... [AMANCIO] THE WANDO. 331 00:20:06,868 --> 00:20:09,891 [WANDO] WANDO, THAT, THAT ¨¦ MY SON ROG¨¦RIO. 332 00:20:09,891 --> 00:20:13,563 [AMANCIO] YOU CAN COME IN, COME IN. [WANDO] GO, SON, GO L¨¢. 333 00:20:13,563 --> 00:20:14,852 ? 334 00:20:14,852 --> 00:20:15,997 [WANDO] SORRY TO INTRODUCE AT THIS TIME. 335 00:20:15,997 --> 00:20:18,606 [AMANCIO] NO, THAT'S IT. [WANDO] GIVE LICENSE. 336 00:20:18,606 --> 00:20:20,590 [AMANCIO] STAY AT WILL. 337 00:20:22,353 --> 00:20:37,188 ? 338 00:20:37,188 --> 00:20:39,555 [WANDO] THAT NOISE... [AMANCIO] ¨¦. 339 00:20:39,555 --> 00:20:40,963 ? 340 00:20:40,963 --> 00:20:42,876 [AMANCIO] EVERY FRIDAY ¨¦ LIKE THIS. 341 00:20:42,876 --> 00:20:44,814 THE S¨ªNDICA IS TRYING TO SOLVE. 342 00:20:44,814 --> 00:20:46,794 ? 343 00:20:46,794 --> 00:20:48,540 [WANDO] L ¨ ¢ IN OUR BLOCK WE DON ' T HEAR THIS, 344 00:20:48,540 --> 00:20:50,151 Isn't it, SON? 345 00:20:50,151 --> 00:20:51,899 [AMANCIO] LUCKY FOR YOU. 346 00:20:51,899 --> 00:20:55,978 [WANDO] MAYBE THAT'S WHY... WHICH IS MORE EXPENSIVE, ISN'T IT? 347 00:20:55,978 --> 00:20:57,764 GOODNIGHT! [CIBELE] GOOD NIGHT. 348 00:20:57,764 --> 00:21:03,504 [CLINKING OF CROCKERS] 349 00:21:03,504 --> 00:21:05,550 [TRAY IMPACT] 350 00:21:05,550 --> 00:21:07,729 [CLINKING OF CROCKERS] 351 00:21:07,729 --> 00:21:09,799 [WANDO] THANK YOU. GOOD, I... 352 00:21:12,079 --> 00:21:15,126 SO I... I CAME HERE WITH MY SON 353 00:21:15,126 --> 00:21:18,263 THAT ROG¨¦RIO WANTS TO APOLOGIZE, DOESN'T HE, SON? 354 00:21:18,263 --> 00:21:19,320 [ROG¨¦RIO] ¨¦. 355 00:21:19,320 --> 00:21:23,896 [WANDO] ¨¦? [LAUGHTER] SPEAKS RIGHT, N¨¦, SON? SORRY, P?. 356 00:21:23,896 --> 00:21:28,316 [SILENCE] 357 00:21:28,316 --> 00:21:31,091 [ROG¨¦RIO] SORRY. [CLEAR] IT WAS BAD A¨ª. 358 00:21:31,091 --> 00:21:34,461 [AMANCIO] OF COURSE. T¨¢ SORRY. 359 00:21:34,461 --> 00:21:39,172 [WANDO] SEE, SON? ¨¦ THIS. WELL, THAT WAS IT THEN. 360 00:21:42,152 --> 00:21:45,891 [CIBELE] MY SON BROKE HIS ARM, HAD SIX POINTS. 361 00:21:45,891 --> 00:21:50,465 [WANDO] [LAUGHING] ¨¦, BOY WAS BORN TO GET POINTS, RIGHT? 362 00:21:50,465 --> 00:21:53,677 I, FOR EXAMPLE, HAVE BROKEN MY ARM, I'VE BROKEN MY LEG 363 00:21:53,677 --> 00:21:56,737 TWICE, I TOOK A STITCH HERE, BROKE A RIB. 364 00:21:56,737 --> 00:21:58,418 [AMANCIO] UNDERSTAND. 365 00:21:58,418 --> 00:22:00,143 [WANDO] ¨¦, CHILD'S THING, LIKE THAT... 366 00:22:00,143 --> 00:22:03,112 [AMANCIO] PEOPLE KNOW IT CAN BE A CHILD'S THING. 367 00:22:03,112 --> 00:22:05,155 [CIBELE] CHILDREN'S THING? 368 00:22:06,685 --> 00:22:09,899 MY SON FAILED AFTER HE WAS PUNCHED BY YOUR SON. 369 00:22:09,899 --> 00:22:11,896 DO YOU THINK THIS IS A CHILD'S THING? 370 00:22:11,896 --> 00:22:14,119 [WANDO] ¨¦, WAY TO SAY IT, N¨¦? 371 00:22:14,119 --> 00:22:18,405 [CIBELE] THIS TO ME IS A BANDIT THING! BANDIT, GET IT? 372 00:22:18,405 --> 00:22:20,884 THE LORD HAS TO THANK MY HUSBAND BECAUSE HE DOESN'T 373 00:22:20,884 --> 00:22:22,346 LET ME GIVE A COMPLAINT TO THE POLICE, 374 00:22:22,346 --> 00:22:23,913 BECAUSE YOUR SON WAS IN JAIL FOR ME. 375 00:22:23,913 --> 00:22:27,531 [WANDO] LOOK AT THIS, MADAM, PLEASE, THERE'S NO BANDIT HERE. 376 00:22:27,531 --> 00:22:30,446 WHAT HAS ¨¦ A FRAGILE BOY, YOUR SON, 377 00:22:30,446 --> 00:22:34,228 ABUSED, WHO ENDED UP HURT 378 00:22:34,228 --> 00:22:37,042 TO LEAVE THE HAND OF BEING A BEAST. [LAUGHING] IF YOU DON'T KNOW HOW TO PLAY, DON'T YOU? 379 00:22:37,042 --> 00:22:38,367 [ROG¨¦RIO] DON'T GO DOWN TO PLAY. [WANDO] NO, SON? 380 00:22:38,367 --> 00:22:41,003 [CIBELE] PERA¨ª, THE LORD LEAVES HIS HOUSE TO COME TO MY HOUSE 381 00:22:41,003 --> 00:22:44,820 OFFEND MY SON, OFFEND ME, OFFEND MY FAMILY? 382 00:22:44,820 --> 00:22:46,907 IT'S NOT ENOUGH WHAT YOUR BITCH SON DID? 383 00:22:46,907 --> 00:22:48,362 [WANDO] NO, MY SON IS NOT A BUM. 384 00:22:48,362 --> 00:22:50,198 C¨º WON'T TALK LIKE THAT, I DON'T ALLOW IT. 385 00:22:50,198 --> 00:22:52,067 [IMPACT ON THE GROUND] 386 00:22:52,067 --> 00:22:53,801 [WANDO] APOLOGIZE TO HIM NOW! 387 00:22:53,801 --> 00:22:54,917 [CIBELE] GET OUT OF MY HOUSE, GO, GET OUT, GET OUT. 388 00:22:54,917 --> 00:22:56,756 [WANDO] I'M NOT LEAVING, I'M JUST LEAVING YOUR HOUSE... 389 00:22:56,756 --> 00:22:59,686 I WILL ONLY LEAVE YOUR HOUSE AFTER YOU APOLOGIZE TO ME 390 00:22:59,686 --> 00:23:02,155 AND FOR MY SON. NO ONE OFFENDS MY SON LIKE THIS, 391 00:23:02,155 --> 00:23:05,361 IN FRONT OF ME NO ONE OFFENDS! SORRY TO HIM NOW. 392 00:23:05,361 --> 00:23:06,982 [SPIT] 393 00:23:06,982 --> 00:23:12,021 [CIBELE] TAKE YOUR APOLOGIES. STREET DOOR, HOUSE SERVICE. 394 00:23:12,021 --> 00:23:14,770 [AMANCIO] CIBELE, WHAT THE FUCK DID THAT, CIBELE, COME HERE. 395 00:23:14,770 --> 00:23:17,430 [WANDO] I'M VERY CALM UNTIL SOMEONE MESS WITH ME. 396 00:23:17,430 --> 00:23:18,480 [AMANCIO] WANDO. 397 00:23:18,480 --> 00:23:20,066 [WANDO] I'M GOING TO SAY SOMETHING... [AMANCIO] CALM. 398 00:23:20,066 --> 00:23:23,392 [WANDO] I T? CALM. ¨¦ YOU BETTER NOT LEAVE THE CHICKEN 399 00:23:23,392 --> 00:23:25,950 OF YOUR CHILD MOST AUTHENTY, THROUGH THE CORRIDOR. 400 00:23:25,950 --> 00:23:41,855 ?TENSION MUSIC? 401 00:23:41,855 --> 00:23:44,049 [WANDO] C¨º BE CAREFUL WITH YOUR CHICKEN WHEN HE 402 00:23:44,049 --> 00:23:48,543 GO DOWN AT THE CONDOMINIUM, BECAUSE NEXT TIME I WILL ASK PRO 403 00:23:48,543 --> 00:23:51,173 ROG¨¦RIO... I WILL NOT ASK, I WILL TELL HIM TO HIT. 404 00:23:51,173 --> 00:23:52,335 [AMANCIO] PLEASE. 405 00:23:52,335 --> 00:23:54,166 [WANDO] BUT IT WILL HIT FOR REAL. 406 00:23:54,166 --> 00:23:55,442 [AMANCIO] PLEASE. 407 00:23:55,442 --> 00:23:57,468 [WANDO] GO, GET OUT, SON, YOU CAN GET AWAY FROM ME, 408 00:23:57,468 --> 00:23:59,787 YOU CAN LET ME OUT, I DON'T WANT TO COME BACK. 409 00:23:59,787 --> 00:24:01,390 [DOOR CLOSE] 410 00:24:01,390 --> 00:24:05,949 ?TENSION MUSIC? 411 00:24:05,949 --> 00:24:09,462 [LOCK HANDLE] 412 00:24:09,462 --> 00:24:12,390 ?TENSION MUSIC? 413 00:24:12,390 --> 00:24:14,971 [AMANCIO] WANT A WATER? She sits HERE. 414 00:24:14,971 --> 00:24:16,260 [DOOR CLOSE] 415 00:24:16,260 --> 00:24:17,313 [CIBELE] WHAT A NIGHTMARE THIS IS. 416 00:24:17,313 --> 00:24:20,701 [AMANCIO] SIT HERE, SIT HERE. 417 00:24:20,701 --> 00:24:21,888 GET A ¨¢ WATER. 418 00:24:21,888 --> 00:24:34,564 ?TENSION MUSIC? 419 00:24:34,564 --> 00:24:35,851 [CIBELE] I DON'T WANT WATER, NO, I DON'T WANT ANYTHING, 420 00:24:35,851 --> 00:24:37,313 I DON'T WANT NOTHING, I DON'T WANT NOTHING 421 00:24:37,313 --> 00:24:42,448 [¨¢ RUNNING WATER FROM THE TAP] 422 00:24:42,448 --> 00:24:49,165 ? 423 00:24:53,108 --> 00:24:55,309 [MILA] SHE SPIT IN YOUR FACE? 424 00:24:58,090 --> 00:25:04,017 [WANDO] SPIT IN MY FACE, IN FRONT OF MY SON. 425 00:25:04,017 --> 00:25:05,447 [MILA] BUT HE DIDN'T APOLOGIZE? 426 00:25:05,447 --> 00:25:10,464 [WANDO] ASKED AND GAVE IT. SATISFIED, MILA? 427 00:25:10,464 --> 00:25:12,628 [STEPS] 428 00:25:17,092 --> 00:25:18,688 [MILA] T¨¢, SHE SPIT OUT OF NOTHING? 429 00:25:18,688 --> 00:25:21,589 [WANDO] CAN I SLEEP MILA? PLEASE LET ME SLEEP. 430 00:25:21,589 --> 00:25:25,800 TOMORROW? ¨¦ CHAMPIONSHIP DAY OF ROG¨¦RIO DE JUD?. [SIGH] 431 00:25:25,800 --> 00:25:28,260 I HAVE TO WAKE UP EARLY. 432 00:25:28,260 --> 00:25:29,507 [MILA] WANDO, I WANT TO KNOW WHAT HAPPENED. 433 00:25:29,507 --> 00:25:31,880 [WANDO] I GOT FIRED, MILA. 434 00:25:31,880 --> 00:25:33,077 [MILA] WHAT? 435 00:25:36,641 --> 00:25:38,553 [WANDO] THAT'S WHAT HAPPENED, FIRED. 436 00:25:38,553 --> 00:25:39,669 [MILA] WHAT DO YOU KNOW? TODAY? 437 00:25:42,296 --> 00:25:44,864 [WANDO] ¨¦, TODAY. 438 00:25:44,864 --> 00:25:46,227 [MILA] WHY DIDN'T YOU TALK TO ME BEFORE? 439 00:25:46,227 --> 00:25:47,450 [WANDO] IF YOU LET ME. 440 00:25:52,176 --> 00:25:55,164 [MILA] OH MY GOD. MY GOD WANDO. 441 00:25:55,164 --> 00:25:56,934 [WANDO] WE HAVE A GOOD CAR. 442 00:25:56,934 --> 00:25:59,458 [MILA] BUT WHAT THE... C¨º GO SELL THE CAR? 443 00:25:59,458 --> 00:26:00,654 [WANDO] NO BUT I CAN... 444 00:26:02,373 --> 00:26:05,235 APPLICATION DRIVER WORKING. [LAUGHTER] 445 00:26:05,235 --> 00:26:08,400 ¨¦ WHAT EVERYONE IS DOING, MILA. 446 00:26:08,400 --> 00:26:10,001 [MILA] I CAN GO BACK TO HAIR CUTTING, 447 00:26:10,001 --> 00:26:11,161 FIND A SALON... 448 00:26:11,161 --> 00:26:14,825 [WANDO] AND ROG¨¦RIO IS GOING TO STAY HERE AT HOME ALONE? 449 00:26:14,825 --> 00:26:16,050 [MILA] WANDO, I T? TRYING TO HELP. 450 00:26:16,050 --> 00:26:18,321 [WANDO] WELL, YOU WANT TO HELP, SO DON'T MAKE A PROBLEM... 451 00:26:18,321 --> 00:26:20,614 [MILA] PROBLEM? AREN'T PEOPLE A FAMILY? 452 00:26:20,614 --> 00:26:23,833 OUR! T¨¢ GOOD. 453 00:26:23,833 --> 00:26:26,696 THE BLAME OF SPITTING, SO, IS MINE NOW. 454 00:26:26,696 --> 00:26:32,481 [ELECTRIC BRUSH] 455 00:26:32,481 --> 00:26:35,408 [¨¢ RUNNING WATER FROM THE TAP] 456 00:26:35,408 --> 00:26:36,408 [SPIT] 457 00:26:41,200 --> 00:26:43,714 [AMANCIO] STOP TAKING THESE QUIETS. 458 00:26:43,714 --> 00:26:44,986 [CIBELE] LEAVE ME, GO. 459 00:26:47,250 --> 00:26:49,564 [STEPS] 460 00:26:49,564 --> 00:26:50,732 [AMANCIO] COME C¨¢. 461 00:26:53,986 --> 00:26:56,398 [KISS SLAP] 462 00:26:56,398 --> 00:26:59,032 [AMANCIO] C¨º DON'T YOU WANT TO TAKE A BATH, TAKE OFF THAT CLOTHES? 463 00:26:59,032 --> 00:27:00,652 [CIBELE] NO, NO, NO, NO... [AMANCIO] BREATHE A LITTLE BREATH? 464 00:27:00,652 --> 00:27:02,756 [CIBELE] NO, NO, JUST LET ME STAY HERE A LITTLE BIT, 465 00:27:02,756 --> 00:27:04,524 PLEASE LEAVE ME HERE FOR A LITTLE BIT. 466 00:27:04,524 --> 00:27:29,370 ? 467 00:27:29,370 --> 00:27:34,415 [URBAN ENVIRONMENT] 468 00:27:34,415 --> 00:27:37,971 ? 469 00:27:37,971 --> 00:27:40,412 [SOUZA] THIS KID IS ALL WRONG, MAN, HE IS ALL WRONG. 470 00:27:40,412 --> 00:27:42,439 NO, AND HE THINKS HE WILL ARRIVE FILLED 471 00:27:42,439 --> 00:27:43,959 ON THE PEOPLE, FULL OF STRESS ON ME 472 00:27:43,959 --> 00:27:45,672 AND ROG¨¦RIO, WILL ARRIVE IN THE COURT, 473 00:27:45,672 --> 00:27:48,047 I CALL A FOUL ON HIM PART UP. THIS KID IS CRAZY, 474 00:27:48,047 --> 00:27:49,215 MAN, HE IS CRAZY. 475 00:27:49,215 --> 00:27:50,959 I THINK ROG¨¦RIO HIT HIM SO MUCH... 476 00:27:50,959 --> 00:27:54,031 IH, ALA WHO'S COMING OVER THERE. DAMN, VERY SUCKY, 477 00:27:54,031 --> 00:27:56,910 YOU MUST HAVE A LOT OF COURAGE. [LAUGHTER] 478 00:27:56,910 --> 00:28:00,500 [WOMAN] IS HE COMING WITH FATHER YET? Ah. 479 00:28:00,500 --> 00:28:01,669 [SOUZA] WITH MEDIINHO, right? 480 00:28:01,669 --> 00:28:02,701 ? 481 00:28:02,701 --> 00:28:03,750 [AMANCIO] WHAT WAS IT, SON? 482 00:28:03,750 --> 00:28:06,119 ? 483 00:28:06,119 --> 00:28:07,263 [AMANCIO] M¨¢RCIO? 484 00:28:07,263 --> 00:28:08,950 [M¨¢RCIO] I DON'T WANT TO GO TO THE SWIMMING POOL, NO, FATHER. 485 00:28:08,950 --> 00:28:11,983 ? 486 00:28:16,400 --> 00:28:17,997 [AMANCIO] MARCINHO, MARCINHO. 487 00:28:17,997 --> 00:28:25,800 ? 488 00:28:25,800 --> 00:28:28,155 [WANDO] BOA SON, VAMO L¨¢, THE TIME HAS COME! 489 00:28:28,155 --> 00:28:32,864 NOW ¨¦ THE TIME, GO L¨¢, GO L¨¢, ENERGY! ROG¨¦RIO! 490 00:28:32,864 --> 00:28:35,522 ? 491 00:28:35,522 --> 00:28:44,898 [GYM AMBIENCE] 492 00:28:44,898 --> 00:28:46,980 [WANDO] BORA, ROG¨¦RIO. [JUDGE] "HAJIME". 493 00:28:46,980 --> 00:28:48,443 [OVA??O] 494 00:28:48,443 --> 00:28:50,888 [WANDO] ¨®, THE FOOTPRINT AI, THE FOOTPRINT AI, ROG¨¦RIO. 495 00:28:50,888 --> 00:28:52,502 VAMO L¨¢, GO L¨¢, SLOWLY. 496 00:28:52,502 --> 00:28:55,428 THIS, THIS PART UP. THIS, THIS, SON! 497 00:28:55,428 --> 00:28:57,390 VAMO L¨¢, VAMO L¨¢" KNOCK HIM OUT NOW. 498 00:28:57,390 --> 00:28:58,891 BEWARE, L¨¢ BY HIS LEFT. 499 00:29:01,377 --> 00:29:03,381 [JUDGE] "IPPON. SOREMADE" 500 00:29:03,381 --> 00:29:06,400 [OVA??O] 501 00:29:06,400 --> 00:29:11,205 [WANDO] I LOVE YOU, SON! [EXTENDED] AH! 502 00:29:11,205 --> 00:29:14,025 ESCULACHO. 503 00:29:14,025 --> 00:29:16,582 [CIBELE] U¨¦, DID YOU COME BACK? 504 00:29:16,582 --> 00:29:18,481 [M¨¢RCIO] ¨¦. 505 00:29:18,481 --> 00:29:20,054 [CIBELE] WHAT WAS THERE? [AMANCIO] MARCINHO FOUND IT 506 00:29:20,054 --> 00:29:22,244 ONE OF THE BOYS IN THE FIGHT FOR L¨¢. 507 00:29:22,244 --> 00:29:24,056 [WHISPERING] I THINK HE'S SCARED. 508 00:29:24,056 --> 00:29:26,000 [CIBELE] [WHISPERING] OF COURSE HE'S SCARED. 509 00:29:26,000 --> 00:29:27,260 AND YOU DIDN'T DO ANYTHING? 510 00:29:27,260 --> 00:29:29,365 [AMANCIO] [WHISPERING] WHAT DID YOU WANT ME TO DO? 511 00:29:29,365 --> 00:29:30,713 HUH? [CIBELE] MY SON WILL NOT STAY 512 00:29:30,713 --> 00:29:32,764 LOCKED IN THIS APARTMENT, YOU'RE NOT GOING. 513 00:29:32,764 --> 00:29:33,993 [CLINKING OF KEYS] 514 00:29:33,993 --> 00:29:35,000 [AMANCIO] CIBELE. 515 00:29:36,100 --> 00:29:37,553 [IMPACT ON WATER] 516 00:29:37,553 --> 00:29:43,136 [SPOKEN] 517 00:29:43,136 --> 00:29:44,317 [CIBELE] HERE BOY. 518 00:29:44,317 --> 00:29:47,281 MY SON WILL PLAY WHERE HE WANT, 519 00:29:47,281 --> 00:29:48,883 ARE YOU HEARING ME? 520 00:29:48,883 --> 00:29:51,133 HE WILL FALL INTO THE SWIMMING POOL, HE WILL RIDE A BICYCLE, 521 00:29:51,133 --> 00:29:53,253 HE WILL PLAY BALL, HE WILL DO WHAT HE WANTS 522 00:29:53,253 --> 00:29:54,697 IN THIS CONDOMINIUM! [SOUZA] WHAT IS THAT, AUNT? 523 00:29:54,697 --> 00:29:56,331 [CIBELE] [SCREAMING] I'M NOT YOUR AUNT! 524 00:29:56,331 --> 00:29:58,906 [SOUZA] C¨º T¨¢ MALUCA? [CIBELE] THE MALUCA YOU WILL SEE, 525 00:29:58,906 --> 00:30:00,645 IF ANYTHING HAPPENS TO MARCINHO. 526 00:30:00,645 --> 00:30:01,907 [SOUZA] OK! T¨¢ GOOD, T ¨¢ GOOD, MALUCA. 527 00:30:01,907 --> 00:30:03,510 [CIBELE] YOU WILL SEE WHAT WILL HAPPEN TO YOU! 528 00:30:03,510 --> 00:30:04,827 [LAUGHTER] 529 00:30:04,827 --> 00:30:05,996 [SOUZA] CRAZY. 530 00:30:05,996 --> 00:30:07,261 [LAUGHTER] 531 00:30:07,261 --> 00:30:08,380 [SOUZA] CRAZY! 532 00:30:08,380 --> 00:30:09,438 [LAUGHTER] 533 00:30:09,438 --> 00:30:11,000 [SOUZA] A ¨ª, KID, SHE ¨¦ CRAZY! 534 00:30:11,000 --> 00:30:17,197 [URBAN ENVIRONMENT] 535 00:30:17,197 --> 00:30:28,446 [HEAVY BREATHING] 536 00:30:28,446 --> 00:30:36,644 ? 537 00:30:36,644 --> 00:30:38,288 ?LOOK? 538 00:30:38,288 --> 00:30:42,563 ? 539 00:30:42,563 --> 00:30:44,847 ?NOT THAT? 540 00:30:44,847 --> 00:30:51,702 ? 541 00:30:51,702 --> 00:30:54,537 ?THOUGH I DON'T KNOW? 542 00:30:54,537 --> 00:30:57,183 ? 543 00:30:57,183 --> 00:30:59,797 ?SAY NO MORE? 544 00:30:59,797 --> 00:31:07,304 ? 545 00:31:07,304 --> 00:31:10,504 ?NOTHING MORE BUT THE THINGS? 546 00:31:10,504 --> 00:31:13,863 ? 547 00:31:13,863 --> 00:31:17,077 ?WHAT HAVE ALWAYS BEEN SILENT? 548 00:31:17,077 --> 00:31:20,557 ? 549 00:31:20,557 --> 00:31:22,906 ?LOOK? 550 00:31:22,906 --> 00:31:27,068 [WANDO] WHY SLAM THE DOOR LIKE THAT? PLEASE NO? 551 00:31:27,068 --> 00:31:31,116 THIS HERE ¨¦ A JEWEL FOR ME. ¨®, HERE, ¨®! I'LL SHOW YOU 552 00:31:31,116 --> 00:31:34,030 AGAIN. ¨®! ¨®! 553 00:31:34,030 --> 00:31:35,146 [DOOR CLOSE] 554 00:31:35,146 --> 00:31:36,370 [WANDO] "PUF"! 555 00:31:36,370 --> 00:31:37,697 ? 556 00:31:37,697 --> 00:31:40,783 ?¨¦ EASY TO UNDERSTAND? 557 00:31:40,783 --> 00:31:43,597 ?SHE JUST CAME TO TELL ME? 558 00:31:43,597 --> 00:31:46,851 ? 559 00:31:46,851 --> 00:31:48,148 ?GOODBYE? 560 00:31:48,148 --> 00:31:51,289 ? 561 00:31:51,289 --> 00:31:53,662 ?BUT WHAT DID I REALLY WANT? 562 00:31:53,662 --> 00:31:57,188 ?WAS IT NOT TO HAVE MORE TIME? 563 00:31:57,188 --> 00:31:58,656 ? 564 00:31:58,656 --> 00:31:59,789 [ROG¨¦RIO] HERE, ¨®, FATHER. 565 00:31:59,789 --> 00:32:01,538 [WANDO] LET ME KISS THAT TROPHY A¨ª. 566 00:32:01,538 --> 00:32:03,559 [ROG¨¦RIO] [LAUGHTER] 567 00:32:03,559 --> 00:32:04,664 [WANDO] AND NOW IN MY. 568 00:32:04,664 --> 00:32:06,191 ?EVEN SO? 569 00:32:06,191 --> 00:32:07,776 [WANDO] I LOVE YOU. [ROG¨¦RIO] I LOVE YOU TOO. 570 00:32:07,776 --> 00:32:10,275 [WANDO] LET ME SEE THE WEIGHT OF THIS. Oops! 571 00:32:10,275 --> 00:32:14,489 ?THAT PEOPLE COULD TRAVEL? 572 00:32:14,489 --> 00:32:17,119 ? 573 00:32:17,119 --> 00:32:19,414 ?AND MAKE AN ¨¢LBUM? 574 00:32:19,414 --> 00:32:22,563 ?OF PHOTOGRAPHS? 575 00:32:22,563 --> 00:32:23,809 ? 576 00:32:23,809 --> 00:32:27,061 [ELECTRIC KNIFE] 577 00:32:27,061 --> 00:32:28,373 [DOOR OPEN] 578 00:32:28,373 --> 00:32:32,573 [WANDO] [LAUGHTER] ¨¦, WHH, HE LOOKED LIKE A PUFFER! LOVE! 579 00:32:34,283 --> 00:32:36,722 WE ARRIVED! [MILA] DID YOU WIN? 580 00:32:36,722 --> 00:32:43,241 [WANDO] CHAMPION HAS ARRIVED! [LAUGHTER] PUT FIVE ON THE CANVAS! 581 00:32:43,241 --> 00:32:46,751 [MILA] WOW! COME C¨¢, SON! LET ME GIVE YOU A HUG. 582 00:32:46,751 --> 00:32:48,297 [ROG¨¦RIO] NO, THANKS, MOM. T¨¢ GOOD, T¨¢ GOOD. 583 00:32:48,297 --> 00:32:50,030 T¨¢ GOOD, T¨¢ GOOD. 584 00:32:50,030 --> 00:32:52,081 [WANDO] CONGRATULATIONS. [ROG¨¦RIO] THANKS! 585 00:32:52,081 --> 00:32:54,094 ?TENSION MUSIC? 586 00:32:54,094 --> 00:32:57,510 [MILA] WOW, C¨º VIU? C¨º SEE HOW HE'S TREAT ME? 587 00:32:57,510 --> 00:33:13,516 ?TENSION MUSIC? 588 00:33:13,516 --> 00:33:15,234 [MILA] Oh, I get upset, you know? 589 00:33:15,234 --> 00:33:18,236 [WANDO] LOOK, WHAT THE FUCK, KITTEN? COME C¨¢, COME? 590 00:33:18,236 --> 00:33:20,840 [MILA] AH, SEE, I EVEN MADE THE DISH HE LIKES TODAY. 591 00:33:20,840 --> 00:33:23,923 [WANDO] I WAKE UP WITH A WISH FOR YOU TODAY. 592 00:33:23,923 --> 00:33:26,367 [MILA] OH, WANDO, PERA¨ª! T? FINISHING DINNER! 593 00:33:26,367 --> 00:33:28,752 [WANDO] COME HERE, HOW LONG DOESN'T WE HAVE SEX, HEIN? 594 00:33:28,752 --> 00:33:30,662 [MILA] T? CONCERNED ABOUT YOUR JOB. 595 00:33:30,662 --> 00:33:32,943 [WANDO] BUT I T? ¨¦, ¨®. ¨®! 596 00:33:32,943 --> 00:33:38,909 ?TENSION MUSIC? 597 00:33:38,909 --> 00:33:53,445 [FRICTION BETWEEN METALS] 598 00:33:53,445 --> 00:33:56,860 [DEEP SIGHS] 599 00:33:56,860 --> 00:33:58,385 [MILA] OH, REALLY. 600 00:34:00,157 --> 00:34:01,591 [MILA] [WISPERING] PEAR, WANDO. 601 00:34:01,591 --> 00:34:04,584 [HEAVY BREATHING] 602 00:34:04,584 --> 00:34:06,295 [KISS SLAP] 603 00:34:06,295 --> 00:34:14,415 [HEAVY BREATHING] 604 00:34:14,415 --> 00:35:05,835 ? 605 00:35:05,835 --> 00:35:12,314 [CRICKET CRACKING] 606 00:35:12,314 --> 00:35:15,954 [FRICTION BETWEEN METALS] 607 00:35:15,954 --> 00:35:18,588 [MILA] [SIGHS] 608 00:35:24,262 --> 00:35:25,993 [INTERCOM RING] 609 00:35:25,993 --> 00:35:27,269 [WANDO] HI, WHO IS IT? 610 00:35:29,378 --> 00:35:31,516 TALK, ELVIS. 611 00:35:31,516 --> 00:35:34,953 [CRICKET CRACKING] 612 00:35:34,953 --> 00:35:45,663 [HAND FRICTION WITH THE BODYWORK] 613 00:35:45,663 --> 00:35:50,334 ?TENSION MUSIC? 614 00:35:50,334 --> 00:35:53,477 [MAN] I DIDN'T SEE ANYTHING BECAUSE I WAS PUTTING POISON ON THE PLANT. 615 00:35:53,477 --> 00:35:55,978 [MILA] WHAT ABOUT THE SECURITY CAMERAS? 616 00:35:55,978 --> 00:35:57,752 [MAN] I'VE TALKED TO DONA L¨²CIA, SHE IS GOING DOWN 617 00:35:57,752 --> 00:35:59,065 TO RELEASE THE CAMERA. 618 00:35:59,065 --> 00:36:03,489 ?TENSION MUSIC? 619 00:36:03,489 --> 00:36:04,656 [MILA] WANDO. 620 00:36:04,656 --> 00:36:06,860 ?TENSION MUSIC? 621 00:36:06,860 --> 00:36:11,956 [MILA] WANDO. WHERE C¨º GO? SO AS TO. FOR GOD'S SAKE, 622 00:36:11,956 --> 00:36:13,931 SO AS TO. YOU'RE GOING TO DO NUTS. 623 00:36:13,931 --> 00:36:15,822 [WANDO] LEAVE ME. 624 00:36:15,822 --> 00:36:19,968 [TELEVISION IN THE BACKGROUND] 625 00:36:19,968 --> 00:36:22,668 [WANDO] [DISTANT VOICE] HEY CRAZY! APPEAR A¨ª! 626 00:36:22,668 --> 00:36:24,718 [MILA] WHAT THE HELL ARE YOU GOING TO DO WITH IT? 627 00:36:24,718 --> 00:36:29,480 [WANDO] [DISTANT VOICE] HEY! GO, GO DOWN! 628 00:36:29,480 --> 00:36:31,227 OPEN A¨º! 629 00:36:31,227 --> 00:36:32,353 [AMANCIO] WHAT IS THAT? 630 00:36:32,353 --> 00:36:33,500 [WANDO] [DISTANT VOICE] COME HERE! 631 00:36:33,500 --> 00:36:34,774 [M¨¢RCIO] ¨¦ HERE? 632 00:36:34,774 --> 00:36:38,742 [WANDO] [DISTANT VOICE] LET GO MILA PLEASE! 633 00:36:38,742 --> 00:36:41,971 OPEN IT SO I CAN GO UP AND LOOK AT YOUR FACE, 634 00:36:41,971 --> 00:36:47,339 YOU DISGRACEFUL! GO! 635 00:36:47,339 --> 00:36:53,725 ?DRAMATIC MUSIC? 636 00:36:53,725 --> 00:36:55,251 [WANDO] [DISTANT VOICE] APPEAR HERE! 637 00:36:55,251 --> 00:37:06,454 ?DRAMATIC MUSIC? 638 00:37:06,454 --> 00:37:10,500 [WANDO] LEAVE ME, MILA! LEAVE ME, I'M LOOKING AT NOTHING! 639 00:37:10,500 --> 00:37:15,192 And A¨ª? OPEN THERE FOR ME TO GO UP THERE, TO LOOK INTO YOUR FACE, 640 00:37:15,192 --> 00:37:16,242 DISGRACEFUL! 641 00:37:16,242 --> 00:37:18,786 ?DRAMATIC MUSIC? 642 00:37:18,786 --> 00:37:20,003 [WANDO] HERE ¨®. [AMANCIO] QUE QUE T¨¢ 643 00:37:20,003 --> 00:37:21,091 HAPPENING, WANDO? GOODNIGHT. 644 00:37:21,091 --> 00:37:23,977 [WANDO] AH, DON'T YOU KNOW WHAT'S GOING ON? ¨¦ THAT SAME, 645 00:37:23,977 --> 00:37:25,238 DON'T KNOW WHAT'S GOING ON? 646 00:37:25,238 --> 00:37:26,636 [AMANCIO] NO, NO, I DON'T KNOW, NO, MAN. 647 00:37:26,636 --> 00:37:27,825 [WANDO] THEN ASK HER TO SHOW UP A¨ª. 648 00:37:27,825 --> 00:37:28,882 [MILA] EVERYONE IS WATCHING. 649 00:37:28,882 --> 00:37:30,758 [WANDO] TELL HER TO APPEAR! [MILA] STOP IT! 650 00:37:30,758 --> 00:37:33,576 [WANDO] TELL HER SHOW UP THERE, OPEN THIS THERE I WANT IT 651 00:37:33,576 --> 00:37:35,700 LOOK AT YOUR WIFE'S BITCH FACE. 652 00:37:35,700 --> 00:37:37,725 [MILA] DON'T TALK LIKE THAT. [WANDO] OR GO DOWN IF YOU HAVE THE COURAGE. 653 00:37:37,725 --> 00:37:41,472 [MILA] STOP IT! FOR THAT, LET'S GO HOME. 654 00:37:41,472 --> 00:37:43,906 CONTROL YOURSELF, CONTROL YOURSELF, WANDO, STOP! 655 00:37:43,906 --> 00:37:48,629 [SCREAMING] STOP! T¨¢ EVERYBODY... WANDO. 656 00:37:48,629 --> 00:37:49,653 [BEATS ON THE GLASS] 657 00:37:49,653 --> 00:37:51,900 [MILA] WHAT ARE YOU GOING TO DO? C¨º CANNOT GO UP IN THE HOUSE 658 00:37:51,900 --> 00:37:54,163 NOT FROM PEOPLE! WANDO, TO. 659 00:37:54,163 --> 00:37:55,462 [INTERCOM RING] 660 00:37:55,462 --> 00:37:58,614 ? 661 00:37:58,614 --> 00:38:00,978 [INTERCOM RING] 662 00:38:02,258 --> 00:38:04,166 [INTERCOM RING] 663 00:38:04,166 --> 00:38:05,963 [CIBELE] DOES NOT ANSWER. 664 00:38:05,963 --> 00:38:08,011 [INTERCOM RING] 665 00:38:08,011 --> 00:38:09,618 ?DRAMATIC MUSIC? 666 00:38:09,618 --> 00:38:11,038 [AMANCIO] WHAT DID C¨º DO, CIBELE? 667 00:38:11,038 --> 00:38:16,094 ?DRAMATIC MUSIC? 668 00:38:16,094 --> 00:38:17,304 [MAN] ? YOUR WANDO. 669 00:38:17,304 --> 00:38:19,299 ?DRAMATIC MUSIC? 670 00:38:19,299 --> 00:38:20,356 [L¨²CIA] TALK TO HIM. 671 00:38:20,356 --> 00:38:22,486 [ERNESTO] YOUR WANDO, ¨® DONA L¨²CIA HERE, ¨®, TO RELEASE 672 00:38:22,486 --> 00:38:24,776 THE CAMERAS TO SEE THE IMAGES TO SEE WHO IT WAS. 673 00:38:24,776 --> 00:38:27,455 [WANDO] GO, DOWN, I KNOW WHO IT WAS, OK? 674 00:38:27,455 --> 00:38:29,262 [L¨²CIA] LOOK, NERVOUS... NERVOUS LIKE THIS THE LORD 675 00:38:29,262 --> 00:38:30,381 IT WILL NOT SOLVE ANYTHING. 676 00:38:30,381 --> 00:38:33,353 [WANDO] [LAUGHTER] WILL THE CONDOMINIUM PAY FOR MY CAR REPAIR? 677 00:38:33,353 --> 00:38:35,619 MAKE ME LAUGH WHO IS GOING TO FIX MY CAR? 678 00:38:35,619 --> 00:38:37,861 [L¨²CIA] MUST SEE, MUST SEE, MUST SEE, IT'S NOT LIKE THAT. 679 00:38:37,861 --> 00:38:39,009 [WANDO] GO. 680 00:38:39,009 --> 00:38:40,459 [MILA] WANDO, SHE'S TRYING TO HELP YOU. 681 00:38:40,459 --> 00:38:42,605 [WANDO] SHUT UP MILA FOR GOD'S SAKE SHUT UP 682 00:38:42,605 --> 00:38:46,231 WHAT I T? TRYING TO SOLVE A PROBLEM HERE. GO! 683 00:38:46,231 --> 00:38:48,692 C¨º CAN YOU OPEN FOR ME FROM THE HEART HERE THE DOOR? 684 00:38:48,692 --> 00:38:50,535 [LUCIA] DON'T OPEN, CARLOS, DON'T OPEN. 685 00:38:50,535 --> 00:38:51,841 [WANDO] OPEN THIS DOOR. 686 00:38:51,841 --> 00:38:53,071 [LUCIA] DON'T OPEN, CARLOS. [WANDO] OPEN THIS, 687 00:38:53,071 --> 00:38:55,988 OTHERWISE I WILL BREAK THIS DOOR DOWN. I WILL BREAK THIS DOOR DOWN! 688 00:38:55,988 --> 00:38:57,965 [L¨²CIA] IF YOU BREAK THIS DOOR DOWN I WILL CALL THE POLICE. 689 00:38:57,965 --> 00:38:59,245 [WANDO] THEN GO THERE AND CALL THE POLICE! 690 00:38:59,245 --> 00:39:01,702 GO THERE, CALL THE POLICE, TAKE ADVANTAGE TO TAKE THIS CRAZY ONE! 691 00:39:01,702 --> 00:39:03,452 GO THERE, CALL THE POLICE. 692 00:39:03,452 --> 00:39:05,197 [MILA] DON'T CALL THE POLICE, DONA L¨²CIA! 693 00:39:05,197 --> 00:39:06,414 [WANDO] I WILL BREAK! 694 00:39:06,414 --> 00:39:08,933 [SHATTERING GLASS] 695 00:39:08,933 --> 00:39:14,505 [SILENCE] 696 00:39:14,505 --> 00:39:33,700 ?TENSION MUSIC? 697 00:39:33,700 --> 00:39:35,137 [CIBELE] CALLS THE POLICE. 698 00:39:35,137 --> 00:40:02,929 ?TENSION MUSIC? 699 00:40:02,929 --> 00:40:03,938 [KNOCKING ON THE DOOR] 700 00:40:03,938 --> 00:40:09,255 ?TENSION MUSIC? 701 00:40:09,255 --> 00:40:10,515 [S¨¦RGIO] OP. [L¨²CIA] GOOD NIGHT. 702 00:40:10,515 --> 00:40:12,257 [S¨¦RGIO] GOOD NIGHT. [L¨²CIA] ¨¦ S¨¦RGIO, N¨¦? 703 00:40:12,257 --> 00:40:14,000 [S¨¦RGIO] THAT. [L¨²CIA] WITH LICENSE. 704 00:40:14,000 --> 00:40:17,038 I AM SENDICA HERE FROM BARRA DIAMOND. 705 00:40:17,038 --> 00:40:21,800 L¨²CIA, VERY PLEASURE. ¨¦ WHAT ¨¢... [STATUTORING] PEOPLE 706 00:40:21,800 --> 00:40:24,245 THERE'S A LITTLE PROBLEM, THEY SCRATCHED WANDO'S CAR, 707 00:40:24,245 --> 00:40:26,800 DO YOU KNOW WANDO? BLOCK ONE, WANDO, BLOCK ONE. 708 00:40:26,800 --> 00:40:28,200 [S¨¦RGIO] I DON'T KNOW, NO. [LUCIA] SO HE IS... 709 00:40:28,200 --> 00:40:30,272 HE IS BREAKING THE WHOLE ORDINANCE. 710 00:40:30,272 --> 00:40:31,815 [S¨¦RGIO] HAVE YOU CALLED THE POLICE? [L¨²CIA] J¨¢, J¨¢ WE CALL 711 00:40:31,815 --> 00:40:33,500 THE POLICE, WE CALL THE POLICE. 712 00:40:33,500 --> 00:40:34,567 [S¨¦RGIO] YOU HAVE TO BE QUIET 713 00:40:34,567 --> 00:40:35,600 THAT THEY WILL SOLVE. 714 00:40:35,600 --> 00:40:37,300 [L?CIA] IT WILL NOT GIVE YOU TIME, NO... THE LORD... 715 00:40:37,300 --> 00:40:38,960 IS NOT THE LORD A POLICEMAN? 716 00:40:38,960 --> 00:40:40,000 [S¨¦RGIO] EX-POLICE. 717 00:40:40,000 --> 00:40:41,687 [L¨²CIA] SO, WHAT HAS BEEN DOESN'T STOP BEING, FOR LOVE 718 00:40:41,687 --> 00:40:45,167 GOD'S. I NEED YOUR HELP. HE WILL KILL... 719 00:40:45,167 --> 00:40:47,447 IS GOING TO KILL SOMEONE, THIS MAN. 720 00:40:47,447 --> 00:40:52,400 [STEPS] 721 00:40:52,400 --> 00:40:53,423 [DOOR OPEN] 722 00:40:53,423 --> 00:40:59,660 ? 723 00:40:59,660 --> 00:41:01,700 [IMPACT OF METAL ON WOOD] 724 00:41:01,700 --> 00:41:03,900 [WANDO] OPEN! OR YOU GET OUT... 725 00:41:03,900 --> 00:41:06,800 [CIBELE] PASSES TO C¨¢. NOTHING WILL HAPPEN TO YOU, 726 00:41:06,800 --> 00:41:07,800 REST ASSURED. TRUST YOUR MOTHER! 727 00:41:07,800 --> 00:41:08,800 [M¨¢RCIO] DON'T LET HIM IN, FATHER! 728 00:41:08,800 --> 00:41:09,813 [AMANCIO] PEAR, PEAR. [CIBELE] DO SOMETHING 729 00:41:09,813 --> 00:41:11,752 THING, AMANCIO. [M¨¢RCIO] [SCREAMING] GO AWAY! 730 00:41:11,752 --> 00:41:16,265 [AMANCIO] WANDO, CALM, WANDO. CALM. HEY, LET'S TALK. 731 00:41:16,265 --> 00:41:18,355 ARE YOU SURE YOU DIDN'T DO ANYTHING, CIBELE? 732 00:41:18,355 --> 00:41:19,400 [KNOCKING ON THE DOOR] 733 00:41:19,400 --> 00:41:22,200 [WANDO] OPEN! OPEN! 734 00:41:22,200 --> 00:41:24,000 [AMANCIO] WANDO, LISTEN TO ME, MAN, 735 00:41:24,000 --> 00:41:25,200 FOR THE LOVE OF GOD, LISTEN TO ME. 736 00:41:25,200 --> 00:41:26,960 [CIBELE] DON'T LET HIM IN, DON'T LET HIM IN! 737 00:41:26,960 --> 00:41:28,012 [AMANCIO] CALM! [WANDO] [PAUSEDLY] I WILL 738 00:41:28,012 --> 00:41:31,585 BREAK DOWN THIS DOOR! 739 00:41:31,585 --> 00:41:36,820 [AMANCIO] WANDO, CALM! CALM! LET'S TALK! 740 00:41:36,820 --> 00:41:39,700 [MILA] WANDO! [SCREAMING] WANDO! [AMANCIO] LET'S TALK! 741 00:41:39,700 --> 00:41:41,389 [WANDO] OPEN THIS DOOR! 742 00:41:41,389 --> 00:41:45,332 [IMPACTS ON THE DOOR] 743 00:41:45,332 --> 00:41:46,570 [MILA] [SCREAMING] WANDO! 744 00:41:46,570 --> 00:41:49,000 [AMANCIO] WANDO, LOOK AT ME! LOOK AT ME, WANDO! 745 00:41:49,000 --> 00:41:50,400 [MILA] [SCREAMING] DID I? ASKING! 746 00:41:50,400 --> 00:41:51,900 [S¨¦RGIO] GET OUT THE DOOR! OPEN THE DOOR! 747 00:41:51,900 --> 00:41:52,900 [IMPACT ON THE DOOR] 748 00:41:52,900 --> 00:41:54,900 [AMANCIO] CALM, WANDO, FOR GOD'S SAKE! 749 00:41:54,900 --> 00:41:58,757 [S¨¦RGIO] STOPPED! STOPPED! STOPPED! STOPPED! STOPPED! STOPPED! STOPPED! 750 00:41:58,757 --> 00:42:03,500 STOPPED! STOPPED! STOPPED! STOPPED! DROP THE IRON... 751 00:42:03,500 --> 00:42:08,200 [MILO] HE WILL SHOOT WANDO PLEASE. FOR GOD'S SAKE, 752 00:42:08,200 --> 00:42:10,900 HE WILL SHOOT, WANDO. PLEASE WANDO! 753 00:42:10,900 --> 00:42:12,968 [S¨¦RGIO] WIDE. [MILO] HE'S GOING TO... 754 00:42:12,968 --> 00:42:14,400 [S¨¦RGIO] DROP THE IRON! 755 00:42:14,400 --> 00:42:15,400 [METAL IMPACT ON THE FLOOR] 756 00:42:15,400 --> 00:42:16,935 [S¨¦RGIO] HAND ON HEAD AND BELOW. 757 00:42:16,935 --> 00:42:19,120 [CRY] 758 00:42:19,120 --> 00:42:23,000 ? 759 00:42:23,000 --> 00:42:25,832 [S¨¦RGIO] DOWN, DOWN, DOWN, DOWN, DOWN, DOWN. 760 00:42:25,832 --> 00:42:27,875 HAND ON HEAD, THAT. 761 00:42:27,875 --> 00:42:30,513 ? 762 00:42:30,513 --> 00:42:32,856 [CIBELE] [SIGHS] 763 00:42:32,856 --> 00:42:34,654 [CRY] 764 00:42:37,554 --> 00:42:44,377 [STEPS] 765 00:42:44,377 --> 00:42:53,490 [URBAN ENVIRONMENT] 766 00:42:53,490 --> 00:43:07,200 ?TENSION MUSIC? 767 00:43:07,200 --> 00:43:08,426 [SIREN] 768 00:43:08,426 --> 00:43:37,000 ?TENSION MUSIC? 769 00:43:37,000 --> 00:43:41,200 [ROG¨¦RIO] MOM! ME! [MILA] ROG¨¦RIO! ROG¨¦RIO. 770 00:43:41,200 --> 00:43:43,058 [ROG¨¦RIO] WHAT HAPPENED? WHAT HAPPENED? I'M TAKING 771 00:43:43,058 --> 00:43:44,400 MY FATHER, WHO IS REALLY GOING TO LET THIS HAPPEN? 772 00:43:44,400 --> 00:43:45,700 [MILA] ROG¨¦RIO, MY FIVE... COME HERE. 773 00:43:45,700 --> 00:43:47,369 [ROG¨¦RIO] [SCREAMING] LET ME GO! [MILA] ROG¨¦RIO, COME HERE! 774 00:43:47,369 --> 00:43:50,431 [SIREN] 775 00:43:50,431 --> 00:43:52,283 [MILO] ROG¨¦RIO! 776 00:43:52,283 --> 00:43:54,963 [ROG¨¦RIO] NO, NO! 777 00:43:54,963 --> 00:43:56,877 [MILA] ROG¨¦RIO! 778 00:43:56,877 --> 00:44:01,000 ? 779 00:44:01,000 --> 00:44:02,332 [MILA] ROG¨¦RIO 780 00:44:05,600 --> 00:44:09,228 [Sniffle] COME HERE, MY SON. 781 00:44:09,228 --> 00:44:16,900 ?DRAMATIC MUSIC? 782 00:44:16,900 --> 00:44:18,527 [MILA] WE WILL GET YOUR FATHER OUT OF L¨¢. 783 00:44:18,527 --> 00:44:21,077 ? 784 00:44:21,077 --> 00:44:23,000 [MILA] WE WILL GET YOUR FATHER OUT OF L¨¢. 785 00:44:23,000 --> 00:44:24,129 ROG¨¦RIO! 786 00:44:24,129 --> 00:44:26,400 ? 787 00:44:26,400 --> 00:44:29,700 [MILA] WHERE C¨º GOING? ROG¨¦RIO! 788 00:44:29,700 --> 00:44:31,500 [ROG¨¦RIO] [SCREAMING] I WILL KILL YOU! 789 00:44:31,500 --> 00:44:33,963 [MILA] ROG¨¦RIO, COME HERE, STOP! VEM C¨¢. 790 00:44:33,963 --> 00:44:43,500 ? 791 00:44:43,500 --> 00:44:48,700 [MILA] STOP, IT'S NOT GOING TO KILL ANYONE, ENOUGH! C¨º WILL STAY 792 00:44:48,700 --> 00:44:52,869 HERE, COME, ARE YOU LISTENING? C¨º IS NOT GOING TO KILL ANYONE. 793 00:44:52,869 --> 00:44:56,500 [CRY] 794 00:44:56,500 --> 00:45:02,407 [M¨¢RCIO] [CRYING] HE WILL KILL ME, HE WILL KILL ME! 795 00:45:02,407 --> 00:45:09,627 [HEAVY BREATHING] 796 00:45:09,627 --> 00:45:20,124 ? 797 00:45:20,124 --> 00:45:22,033 [S¨¦RGIO] CALM, CALM. 798 00:45:23,900 --> 00:45:25,967 [CIBELE] HE'S GONNA GET IN JAIL, WON'T HE? 799 00:45:25,967 --> 00:45:30,768 [S¨¦RGIO] LOOK, IN THE COUNTRY WE LIVE IN, YOU CAN'T KNOW. 800 00:45:33,780 --> 00:45:35,724 [CIBELE] WHAT AM I GOING TO DO, MY GOD? 801 00:45:38,155 --> 00:45:40,754 [S¨¦RGIO] IF I WERE YOU, I WOULD PROTECT MYSELF. 802 00:45:40,754 --> 00:45:50,248 [CRICKET CRACKING] 803 00:45:50,248 --> 00:45:52,847 [CIBELE] HE ASKED IF WE'RE GOING TO MOVE FROM HERE. 804 00:45:56,280 --> 00:45:57,348 [AMANCIO] MOVE IN? [CIBELE] I THINK 805 00:45:57,348 --> 00:45:58,682 WHICH WILL BE THE WAY. 806 00:46:03,921 --> 00:46:06,609 [AMANCIO] [Sigh] WITH THIS CRISIS? 807 00:46:06,609 --> 00:46:10,013 C¨º HAVE YOU SEEN HOW MANY APARTMENTS THERE ARE FOR SALE IN THIS BLOCK ONLY? 808 00:46:10,013 --> 00:46:12,710 [CIBELE] HOW ARE WE GOING TO CONTINUE HERE WITH THIS CRAZY 809 00:46:12,710 --> 00:46:15,890 LOOSE, MY GOD? HIS SON TOO. 810 00:46:17,522 --> 00:46:19,389 [AMANCIO] YOU COULD HAVE THOUGHT ABOUT THIS BEFORE 811 00:46:19,389 --> 00:46:20,640 TO SCRATCH HIS CAR. 812 00:46:20,640 --> 00:46:24,348 ? 813 00:46:24,348 --> 00:46:27,078 [AMANCIO] LET'S SLEEP, BREATHE A LITTLE, 814 00:46:27,078 --> 00:46:28,423 TOMORROW? WE TALK. 815 00:46:28,423 --> 00:46:31,404 ? 816 00:46:31,404 --> 00:46:32,575 [AMANCIO] IT'S GOING TO BE OK. 817 00:46:32,575 --> 00:46:42,751 ? 818 00:46:42,751 --> 00:46:44,527 [CIBELE] [WHISPERING] MY SON IS HURT, 819 00:46:44,527 --> 00:46:46,823 THEY HURT MY SON. 820 00:46:46,823 --> 00:47:00,218 ? 821 00:47:00,218 --> 00:47:09,704 [BROOM ATTRACTION WITH THE FLOOR] 822 00:47:09,704 --> 00:47:12,388 [ELVIS] HELLO MISS CIBELE, GOOD MORNING. 823 00:47:12,388 --> 00:47:14,075 [CIBELE] GOOD MORNING, ELVIS. 824 00:47:14,075 --> 00:47:17,677 [BROOM ATTRACTION WITH THE FLOOR] 825 00:47:17,677 --> 00:47:28,137 [STEPS] 826 00:47:28,137 --> 00:47:31,043 [CAR IGNITION] 827 00:47:31,043 --> 00:47:33,500 [CAR ENGINE] 828 00:47:33,500 --> 00:47:34,713 [M¨¢RCIO] MOM, LETS GO. 829 00:47:34,713 --> 00:47:39,000 [CAR ENGINE] 830 00:47:39,000 --> 00:47:42,223 [CIBELE] I HAVE TO GO SOMEWHERE, COME ON. 831 00:47:42,223 --> 00:47:43,910 [M¨¢RCIO] I WILL BE LATE. 832 00:47:43,910 --> 00:47:49,620 ?TENSION MUSIC? 833 00:47:49,620 --> 00:47:50,893 [CIBELE] COME, SON, COME. 834 00:47:50,893 --> 00:47:55,000 ?TENSION MUSIC? 835 00:47:55,000 --> 00:47:57,874 ? 836 00:47:57,874 --> 00:48:00,390 [S¨¦RGIO] IF I WERE YOU, I WOULD PROT... I HAVE ALREADY CALLED THE POLICE, 837 00:48:00,390 --> 00:48:02,016 HAVE YOU CALLED THE POLICE? EX-POLICE. 838 00:48:02,016 --> 00:48:04,525 ? 839 00:48:04,525 --> 00:48:08,446 [S¨¦RGIO] WOULD PROTECT ME... IN THE COUNTRY WE LIVE IN, 840 00:48:08,446 --> 00:48:10,238 I DON'T GIVE YOU A KNOW... IT WOULD PROTECT ME. 841 00:48:10,238 --> 00:48:11,785 [BELL] 842 00:48:11,785 --> 00:48:13,616 [S¨¦RGIO] WHO is it? 843 00:48:13,616 --> 00:48:17,106 [CIBELE] CIBELE. YOUR NEIGHBOR, FROM 301. 844 00:48:17,106 --> 00:48:22,604 ? 845 00:48:22,604 --> 00:48:27,300 [BUBBLE OF LIQUID] 846 00:48:27,300 --> 00:48:29,347 [DOOR OPEN] 847 00:48:29,347 --> 00:48:32,350 [BUBBLE OF LIQUID] 848 00:48:32,350 --> 00:48:33,778 [S¨¦RGIO] WANT A WATER? 849 00:48:33,778 --> 00:48:35,681 [CIBELE] NO, THANK YOU. 850 00:48:35,681 --> 00:48:38,692 [S¨¦RGIO] [SIGHS] 851 00:48:38,692 --> 00:48:40,373 [CIBELE] ¨¦ ALL I HAVE. 852 00:48:40,373 --> 00:48:41,592 [S¨¦RGIO] OP. 853 00:48:41,592 --> 00:48:45,621 [BUBBLE OF LIQUID] 854 00:48:45,621 --> 00:48:46,817 [IMPACT ON THE TABLE] 855 00:48:48,956 --> 00:48:51,008 [S¨¦RGIO] READY, DO YOU KNOW HOW TO USE IT? 856 00:48:52,649 --> 00:48:54,116 NEVER HANDLED A GUN? 857 00:48:55,661 --> 00:49:00,108 I'LL SHOW YOU. PAY ATTENTION THAT IT IS NOT DIFFICULT. H?. 858 00:49:00,108 --> 00:49:05,140 [GUN COCK] 859 00:49:05,140 --> 00:49:06,753 [S¨¦RGIO] YOUR TURN. 860 00:49:06,753 --> 00:49:10,427 CAN GO. IT'S DOWNLOADED, YOU CAN GO. HERE, ¨®. 861 00:49:10,427 --> 00:49:13,574 ?TENSION MUSIC? 862 00:49:13,574 --> 00:49:15,280 [S¨¦RGIO] WITH THIS FINGER HERE YOU OPEN... 863 00:49:15,280 --> 00:49:18,662 HERE, CLICK HERE. HOLD IT WITH... [LAUGHING] HOLD IT TIGHT HERE. 864 00:49:18,662 --> 00:49:22,399 HERE, THIS. CLOSE WITH THIS OTHER ONE HERE, THIS ONE HERE, 865 00:49:22,399 --> 00:49:25,108 ¨®. READY, SEE? 866 00:49:25,108 --> 00:49:28,354 [GUN COCK] 867 00:49:28,354 --> 00:49:31,760 [S¨¦RGIO] PRESS HERE. C¨º YOU HAVE CHILDREN AT HOME, DON'T YOU? 868 00:49:31,760 --> 00:49:33,392 [CIBELE] I HAVE. 869 00:49:33,392 --> 00:49:36,255 [S¨¦RGIO] THEN GUARD UNLOADED, HIDDEN, 870 00:49:36,255 --> 00:49:39,325 AND THE AMMUNITION IS ALWAYS CLOSE TO YOU. 871 00:49:39,325 --> 00:49:41,029 [DOOR OPEN] 872 00:49:41,029 --> 00:49:43,156 ?TENSION MUSIC? 873 00:49:43,156 --> 00:49:44,181 [CIBELE] LETS GO? 874 00:49:44,181 --> 00:49:45,867 [DOOR CLOSE] 875 00:49:45,867 --> 00:51:39,897 ?TENSION MUSIC?